Ann Banfield wrote a literary / linguistics essay in the 80s called, "Unspeakable Sentences: Narration and Representation in the Language of Fiction."
She studied works of fiction that use free indirect speech narration and stream of consciousness narration.
Woolf, Joyce, Faulkner, Dos Passos, etc.
Among other things, she concluded that the linguistic impact (their greatness) of many writers from the Modern cannon was the result of their use of free indirect speech as text... not as speech itself.
Just as closet dramas are not meant to be staged but read, I think some texts should only be read as text. (The science of reading btw involves lots of fine motor movements in the eyes. Reading on the page uses a different area of the brain for comprehension than does listening and auditory experiences)
And some texts are just fine when read aloud like a radio play. But some arent. Some books are ergodic. They require active participation with the page and text. Can you imagine House of Leaves on audiobook? Yeah, sounds terrible.
If you look at overall sales numbers (bookpage, or even amazon), Audiobooks are the only format that have experienced double digit sales growth over the last few years. It allows the performative version to be recopyrighted. Colin Ferrell (the Irish actor) has read all of James Joyce's books and theyre really awesome. Very musical.
Spicy take. I’m exclusively an audiobook listener, only picking up a hard copy when there’s enough of the book I “bookmarked” in audio that I want to go back and underline/note on an actual page. BUT I rarely return to those underlines/notes.
Interestingly to your point, I also listen to ZERO fiction. I try. I have tried. I keep trying. I never make it through. Maybe the hard copy would be my friend. I see your point about my listening being conditioned for non-fiction/info.
For me, I also listen anywhere from 1.25-1.5x speed so it’s faster than my own reading. 🤷🏻♀️
Ann Banfield wrote a literary / linguistics essay in the 80s called, "Unspeakable Sentences: Narration and Representation in the Language of Fiction."
She studied works of fiction that use free indirect speech narration and stream of consciousness narration.
Woolf, Joyce, Faulkner, Dos Passos, etc.
Among other things, she concluded that the linguistic impact (their greatness) of many writers from the Modern cannon was the result of their use of free indirect speech as text... not as speech itself.
Just as closet dramas are not meant to be staged but read, I think some texts should only be read as text. (The science of reading btw involves lots of fine motor movements in the eyes. Reading on the page uses a different area of the brain for comprehension than does listening and auditory experiences)
And some texts are just fine when read aloud like a radio play. But some arent. Some books are ergodic. They require active participation with the page and text. Can you imagine House of Leaves on audiobook? Yeah, sounds terrible.
I generally agree with this which is why I have a hard time with fiction by audio. But not all fiction is designed like you mentioned
I’m listening to a non fiction book about risk & gambling right now & im not very familiar. He has charts that are hard to understand via audio
The other q is how the rise of audiobooks will change the fiction being written when authors know there’s another format
If you look at overall sales numbers (bookpage, or even amazon), Audiobooks are the only format that have experienced double digit sales growth over the last few years. It allows the performative version to be recopyrighted. Colin Ferrell (the Irish actor) has read all of James Joyce's books and theyre really awesome. Very musical.
Gambling huh? So, sounds risky...
Spicy take. I’m exclusively an audiobook listener, only picking up a hard copy when there’s enough of the book I “bookmarked” in audio that I want to go back and underline/note on an actual page. BUT I rarely return to those underlines/notes.
Interestingly to your point, I also listen to ZERO fiction. I try. I have tried. I keep trying. I never make it through. Maybe the hard copy would be my friend. I see your point about my listening being conditioned for non-fiction/info.
For me, I also listen anywhere from 1.25-1.5x speed so it’s faster than my own reading. 🤷🏻♀️
I’ll let you know if I ever succeed with fiction!
Start with the fiction hard copy and then supplement it with the audiobook, it works!